Born
in 1865 in Germany, Karl Albert Buehr was one of seven sons whose
family emigrated to America and settled in Chicago in 1869. He
began his career while working at a lithographic firm near the
Art Institute of Chicago. He took a job in the shipping department
and enrolled in night classes at the Institute from 1888-1897,
he graduated with honors in 1894. After completing his studies
he was invited to stay and teach.
Buehr showed early
promise. In 1894 a critic wrote: "Karl Albert Buehr is one
of the strongest of the Art Institute’s pupils. His work
can safely be placed among the best… and would hold its
own in any collection composed of the works of painters of established
reputation.
In 1899 he was in
Paris with Frank Duveneck, his studies also put him at the Académie
Julian with Raphael Collin; 1902 Académie Colarossi;and
in 1907-1909 at the London School of Art with Frank Brangwyn.
He spent many summers
painting in Giverny. He painted a number of typical Giverny subjects
of women in outdoor landscape. In 1928-29, he was a guest artist
at Stanford University."
While in France he
became close friends with Frederick Frieseke whom he knew in Chicago
and Richard Miller, the leading members of the American art community
in Giverny. While his children played with Monet’s grandchildren,
the two never met. Buehr had come to Giverny because of his association
with Henry Salem Hubbell. The two shared the patronage of Lydia
Coonley Ward from Chicago. Buehr exhibited widely in Europe and
also served in the U.S. Cavalry during the Spanish-American War.
In Chicago he became a highly respected teacher at the School
of the Art Institute of Chicago and one of the city's most popular
painters. Buehr died in Chicago in 1952.
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