In 1943,
she married de Kooning, a Dutch immigrant artist, and together
and apart they worked relentlessly on their painting and she on
the promotion of her husband's talents. During their early years,
they were exceedingly poor, and in the last decade of their life
together had millions of dollars because of the money earned from
his paintings. In retrospect, she is credited as the significant
influence on making Willem de Kooning the leading name in New
York art circles because of her well-placed flirtations, skillful
writing of reviews in art magazines, and ability to speak forcefully
in private and public lectures.
Never divorced, they
had strong emotional ties, and yet each had numerous sexual relationships
with other persons. They separated in the 1960s but reconciled
in the 1970s when she overcame her dependence on alcohol and successfully
encouraged her husband's sobriety.
Her art training began
after high school when she attended the American Artists School
and the Leonardo da Vinci School where she studied with Conrad
Marca-Relli, a teacher who encouraged her to work her own way
and to work hard.
Unlike many of her
contemporaries, she did not completely abandon realism, and much
of her career was devoted to portraiture for which she was known
in the 1950s and 60s. One of her most famous commissions was for
President John F. Kennedy, which was in process at the time of
the assassination. When he died, she was so saddened that she
put down her brushes for a year.
Her personal life was
tumultuous, largely due to her alcoholism, and the wild, heady
times of riding the crest of Abstract Expressionism. She was a
chain smoker which caused her death on February 1, 1989 of lung
cancer in New York.
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