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| William Glackens (1870 -1938) |
| Born in Philadelphia, Pennsylvania in1870, Glackens beagn his carrer at Philadelphia's Central High School with John Sloan. In 1891 he became an artist-reporter for the "Philadelphia Record." In 1891 he became an artist-reporter for the "Philadelphia Record." He did the same kind of work from 1892 to 1895 for the "Philadelphia Press" with John Sloan, George Luks, and Everett Shinn. |  |
He studied briefly at the Pennsylvania Academy with Thomas Anshutz and then shared a studio and traveled in Europe with Robert Henri. There he painted many scenes of life in Paris's parks and cafes. He settled in New York, worked as an illustrator, and was part of "The Eight," a landmark exhibition of urban realists at the Macbeth Galleries. Early in his painting career, he painted numerous scenes of Washington Square and Central Park but then turned to beach scenes. The early work of Glackens, following Henri's lead, maintained "strong ties to Edouard Manet's darkened palette and brushy style of realism." After 1910, Glacken's palette began to brighten in response to his strong admiration of the work of French artists, Pierre August Renoir. In 1919, Glackens began sharing a studio with artist Robert Henri, and the friendship changed the course of his life. Henri encouraged Glackens to pursue a full-time career as a professional artist. He died suddenly in 1938 while visiting Charles Prendergast in Westport, Connecticut. |
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