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    Julian Alden Weir (1852 -1919)

    Still Life of White Roses

    Executed circa 1886

    Monogrammed W lower left

    Oil on ceramic tile

    10¼ x 8¼ inches

    Ex-Collection:
    Private Collection

    Richard York

     

    This work was done when Weir was a member of the Tile Club. The group of 31 notable New York painters, sculptors, and architects - including Winslow Homer, William Merritt Chase, J. Alden Weir, John Henry Twachtman, Ehilu Vedder, Edwin Austin Abbey, Arthur Burdett Frost, Augustus Saint-Gaudens, and Stanford White - who met together between 1877 and 1887. The club formed for purpose of camaraderie, painting on ceramic tiles and traveling together on group excursions and sketching trips. They banded together to promote, in America, issues and concepts about aesthetics and the fine and decorative arts that were prevalent within the British Aesthetic Movement. But the club also championed American art in general - and did much to popularize plein air painting and the Impressionist style.

     

    american art


Julian Alden Weir was the son of historical painter, Robert W. Weir, who served as the drawing instructor at the U.S. Military Academy in West Point, New York for over forty years. J. Alden was the youngest son in a family of sixteen children. Many of the Weirs were painters, but J. Alden certainly established the career of most renown.

He originally studied painting under his father and later worked in artist estates of his brother, John Ferguson Weir, who went on to head the Department of Art at Yale University from 1869 to 1913. J. Alden then studied at the National Academy of Design in New York before traveling to Paris to study at the Ecole des Beaux-Arts in 1873.

Weir returned to the United States late in 1877 and began teaching classes at the Cooper Institute and the Art Students League in New York. In 1882, Weir purchased a farm with several hundred acres of land in Branchville, Connecticut. In 1883, through his wife's family, he acquired another residence in Windham, Connecticut. In 1886, he purchased a house in New York. Weir spent the remainder of his career dividing his time equally between the three homes.

Around 1890 Weir began adopting an Impressionist style, which suited his growing interest in landscape depictions. He was soon considered a leading member of the new Impressionist group of painters emerging in America at that time. In 1898, he became one of the founding members of The Ten, which was a group including Willard Metcalf and Thomas Dewing that rebelled against what they regarded as mediocrity in American art

 

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