Sculptor
and graphic artist Lovet-Lorski was born in Lithuania in 1894
and studied art at the Imperial Academy of Art in St. Petersburg
where he worked briefly as an architect. In 1920, Lovet-Lorski
moved to the United States and settled in New York City and in
five years hence received his American citizenship.
During
his working life, he achieved prominence as a Modernist sculptor
but in view of the fact that his work was mainly commissioned
by private clients, his work began to slip into obscurity. A decade
after his death, a large selection of his major works of the 1920s
and 1930s was discovered in his New York atelier bringing his
art into prominence once again.
Lovet-Lorski's style was eclectic but his work in the Modern style
is the most individualistic and impressive. The female nude became
his subject whether in marble or as a lithographic print. Alastair
Duncan has written:
...the bold sweep of the body capturing its innate rhythm and
grace...his torsos convey a feeling of motion and energy, no doubt
partly due to the simplifying and streamlining of facial features
and hair. No other sculptor in America caught the prevailing French
Art Deco mood as effectively or poignantly.
He was an associate member of the National Academy of Design and
a member of the National Sculpture Society, as well as the Salons
of Paris. His work is held in the collections of the Luxembourg
Museum, Paris; Petit Palais, Paris; Bibliotheque Nationale, Paris;
British Museum, London; Metropolitan Museum of Art, New York;
San Diego Fine Arts Society; Los Angeles Museum of Art; Seattle
Art Museum; San Francisco Museum of Fine Arts; Boston University;
and Columbia University.
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