Born in 1923 in the
Bronx, New York, as Larry Grossberg. In 1940 he began a musical
career as a jazz saxophonist and changed his name to Larry Rivers.
In 1943 he was declared medically unfit for military service.
Until 1945 he worked as a saxophonist in various jazz bands in
the New York area. In 1944-45 he studied theory of music and composition
at the Juilliard School of Music, New York. His first encounter
with fine art was through a musical motif based on a painting
by Georges Braque.
He began painting in
1945.In 1947-48 he studied at the Hans Hofmann School. In 1948
he studied under William Baziotes at New York University and met
Willem de Kooning. In 1949 he had his first one-man exhibition
at the Jane Street Gallery, New York. In 1951 he graduated in
art from New York University and met Jackson Pollock. His works
were subsequently shown by John Myers until 1963.
In 1952 he designed
the stage set for Frank O'Hara's play "Try! Try!". In
1953 he completed "Washington Crossing the Delaware".
In 1954 he had his first exhibition of sculptures at the Stable
Gallery, New York. In 1956 he began a series of large-format paintings
and was included with ten other American artists in the IV. Bienal
Do Museu de Arte Moderna de São Paulo, Brazil. In 1958
he spent a month in Paris and played in various jazz bands. He
also collaborated with the poet Kenneth Koch on the collection
of picture-poems New York 1959-1960.
In 1961 he married
Clarice Price, an art and music teacher of Welsh extraction.In
1965 he had his first comprehensive retrospective in five important
American museums. His final work for the exhibition was The History
of the Russian Revolution. Until 1967 he was in London collaborating
with Howard Kanovitz. In 1967 he became separated from his wife
Clarice. He travelled in Central Africa and made the TV-documentary
Africa and I with Pierre Gaisseau. In 1969 he began to use spray
cans, in 1970 the air brush, and later, video tapes. In 1972 he
taught at the University of California in Santa Barbara. In 1973
he had exhibitions in Brussels and New York. In 1974 he finished
his Japan series. He was represented at the documenta "6",
Kassel, in 1977. In 1978 he began his Golden Oldies Series, revising
his own works of the fifties and sixties. In 1980-81 he was given
his first European retrospective at Hanover, Munich and Berlin
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