Morgan
Russell was born in New York, where he studied sculpture at the
art Students League and painting under Robert Henri. In 1908 he
settled in Paris, where he briefly attended Henri Matisse school
of painting and drawing. By 1910 he was devoting himself increasingly
to painting, and in 1911 he met Macdonald-Wright, with whom he
developed theories about the analogies between colours and musical
patterns. In 1911 they launched 'synchromism' which means literally
'colours together'. Russell and Macdonald-Wright were concerned
with the purely abstract use of colour; in 1912 Russell said that
he wished to do 'a piece of expression solely by means of colour
and the way it is put down, in showers and broad patches, distinctly
separated from each other, or blended ... but with force and clearness
and large geometric patterns'. Synchromism was very close to Orphism
and the two Americans protested in manifestos that they had primacy.
Russell's Synchromy in Orange: To Form (Albright-Knox Art Gallery,
Buffalo, 1913-14) won him considerable renown when shown in Paris.
Although the movement petered out with the First World War, Synchromism
influenced several American artists, and its founders hold distinguished
places in the vanguard of abstract art .His later work, in which
he reintroduced figurative elements, was much less memorable than
were his pioneering abstract paintings. He lived in Paris until
1946, then returned to the USA
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